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DSM is an avant-garde electronic, experimental, and industrial music project founded by Guido Hübner in Berlin in the early 1980s. Known for its interdisciplinary approach, the ensemble creates sound collages using concrete sounds, electric motors, and sound sculptures, often performing with multiple loudspeakers for immersive experiences.
Key Aspects of Das Synthetische Mischgewebe:
Founder: Guido Hübner.
Origins: Berlin, early 1980s, active in the cassette culture scene.
Style: Industrial, experimental, ambient, and avant-garde music, described as "Surf-Noise" or composed collage/montage.
Performances: Features a variable membership of musicians, artists, and researchers performing with sound-producing objects and mechanical toys.
Collaborations & Releases: Numerous releases on international labels and collaborations with artists such as MSBR, M. Northam, and Frans de Waard.
The group is recognized for exploring the intersection of concrete and electronic sounds, focusing on how sounds can be perceived as both fragmented and unified.
DSM is an avant-garde electronic, experimental, and industrial music project founded by Guido Hübner in Berlin in the early 1980s. Known for its interdisciplinary approach, the ensemble creates sound collages using concrete sounds, electric motors, and sound sculptures, often performing with multiple loudspeakers for immersive experiences.
Key Aspects of Das Synthetische Mischgewebe:
Founder: Guido Hübner.
Origins: Berlin, early 1980s, active in the cassette culture scene.
Style: Industrial, experimental, ambient, and avant-garde music, described as "Surf-Noise" or composed collage/montage.
Performances: Features a variable membership of musicians, artists, and researchers performing with sound-producing objects and mechanical toys.
Collaborations & Releases: Numerous releases on international labels and collaborations with artists such as MSBR, M. Northam, and Frans de Waard.
The group is recognized for exploring the intersection of concrete and electronic sounds, focusing on how sounds can be perceived as both fragmented and unified.